The principle of controlling compositional balance through asymmetry and irregularity is an important aspect of Japanese aesthetics: imperfections, that is, denial of perfection. For the former, the opening may express various ideas, for example, enso is not separate, but part of a larger thing or imperfection is the essence and inner aspect of existence. Some artists drew enso on the circle, while others completed the circle. Some artists practice painting enso every day as a spiritual practice. Only spiritually and spiritually complete people can draw real enso.
“Zen Buddhist” believes that the artist’s character is fully exposed in how she or he paints enso. The circle’s brush ink usually completes one action on silk or rice paper and it is impossible to modify: it shows the expressiveness of the spirit at that time. In Zen Buddhist painting, “enso” symbolizes a moment in which the mind can freely and simply allow the body/spirit to be created. The key to this pain and painting enso is to emphasize the “spirit” or “essence” of the brushwork and objects, rather than directly imitating what you want to paint. Some common characteristics of this kind of painting are the preference for different black shadows rather than different colors. This circle does not represent a separate entity, like. But it’s symbolism refers to the beginning, the middle and end of all things, the circle of life, and the interconnectedness of all existence. At first glance, this symbol appears to be nothing more than a circle. In general, the tradition of ink painting or ink painting is not only Japanese but also common throughout Southeast Asia, first appearing in the Tang Dynasty of China (618-907). Perhaps ens can simply mean different things to different people. This means using a brush to apply ink to thin Japanese paper. The tools and mechanisms for drawing enso are usually the same as those used in traditional Japanese calligraphy. How is Enzo related to Japanese Calligraphy
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